Thursday, May 13, 2010

Unemployment in Irredeemable Land

Irredeemable #13 by Mark Waid and Diego Barreto, Boom! Comics (2010)

Does that unemployment statistic strike anyone else as being a bit small? To those not reading the series, recall that The Plutonian, Earth's former greatest superhero, has gone rogue and has been systematically destroying city after city. Millions are dead, the world economy has all but collapsed, there are riots on the streets and people are living in a state of panic with absolutely no knowledge of where the Plutonian will strike next.

And yet unemployment just hit 27.8%? Frankly, I'm surprised that 70% of the United States is still going to work at all. In fact, I think it's pretty funny that the Bureau of Labor Statistics is still even counting. In the face of complete and utter disaster, the likes of which the world has never before seen--where anyone can die at any minute--those troopers over at the BLS come in to work to compile the economic indicators.

No one can claim that economists and statisticians aren't tough guys.

Thursday, May 6, 2010

Sadness=Profit: Comics and the Grief Industry

When someone dies, it can cause a lot of grief. Everyone who knows the recently deceased individual will likely feel some pang of sadness. But things get more complicated when the person who dies is famous. Rather than family and friends mourning, it's possible that the entire world will grieve.

In American history, the deaths of famous figures like John F. Kennedy, Martin Luther King Jr., Princess Diana, and Michael Jackson have all caused national if not worldwide mourning.

But in modern times, it seems that the way people grieve has changed. Grief seems to have taken a more profitable approach. Take Michael Jackson for example. A film biography/concert, "This Is It", released 4 months after the singer's death grossed $71 million according to IMDB. Jackson's death also inspired books and yet another film soon to be released. A lot of people made a lot of money when Michael Jackson died. By catering to a massive audience of grieving fans who appreciated their idol more than ever, keen businessmen were able to make quite a fortune.

It seems that grief is indeed an industry.

And as reality imitates art, we should be seeing the grief industry in comics.

And we do. After the death of Captain America, the comics world showed how the grief industry can act. With Captain America gone, many people tried to capitalize on his absence. Captain America #600 portrayed an individual selling Captain America memorabilia which had quadrupled in value after the hero's death. He profited handsomely from the sale. Movies were made and so were books. Norman Osborn even played off of Cap's death by painting himself red, white and blue and calling himself the Iron Patriot.

Now we comics readers have witnessed another tragic death in X-Force #26.

SPOILERS SPOILERS SPOILERS!
Nightcrawler is DEAD!

Nightcrawler from Giant-Size X-Men #1, art by Dave Cockrum

Kurt Wagner the wonderful German acrobat, priest, demon spawn, X-Man has ceased to be.

Nightcrawler heroically gave his life in X-Force #26 to protect the mutant messiah, Hope, from evil machines bent on destroying all mutantkind. Despite being impaled through the chest, Kurt mustered the strength to teleport Hope across the distance of the U.S. (a feat he has seldom accomplished) and into the hands of his comrades.

In light of the fact that Nightcrawler was much beloved, it seems that its only a matter of time before the industry of grief turns its eye on this departed furry blue mutant. Will we see Nightcrawler commemorative plates? Tickle-Me Nightcrawler? Brimstone scented Nightcrawler cologne?

Or will there we a successful music single, akin to Elton John's reimagining of "Candle in the Wind" for Princess Diana? That song was extremely successful and became one of the most popular singles of all time.

But what tribute songs shall we sing for Nightcrawler?

WARNING, BAD PUNS ENSUE!

How about "You'll be Through My Heart"?

"Save the Last BAMF for Me"?

Cover art to X-Men: Manifest Destiny- Nightcrawler #1, art by Brandon Peterson

Regardless of how we mourn, we'll miss you Kurt. At least for the next five months until someone brings you back to life. Until then, bring on the merchandise!

Thursday, April 29, 2010

Ecocomics Recession Watch: Amazing Unemployed Spider-Man Edition

"Brother, Can You Spare a Crime?" in Amazing Spider-Man #628
by Mark Waid, Tom Peyer and Todd Nauck and Lee Weeks, Marvel Comics (2010)

When we last left Peter Parker, he was fired from his job at city hall. Now, we catch a glimpse of the unemployed life, as Peter experiences difficulty keeping the roof over his head. As he mentions, there was a time when he could just secure a freelance job taking photos for The Daily Bugle. But in the midst of this recession, it seems that such gigs are harder to obtain than usual. Not to mention The DB was recently destroyed!

One minor nitpick here: I don't know where he pulled the "one million other New Yorkers" statistic. As of March 2010, there were about 400,000 unemployed living in NYC. Statewide, the number of unemployed residents was about 831,800. Granted, if Peter was talking about the entire state (which I doubt), then his estimate of one million would have been closer. Even still, rounding up by over 150,000 is a big deal.

Wednesday, April 28, 2010

The Riddler's Brilliant Crime Fighting Strategy

Gotham City Sirens #10 by Paul Dini and Andres Guinaldo, DC Comics (2010)

Say what you will about the Riddler's constantly wavering loyalties and his psychological obsession with puzzles. The man still proves himself, time and time again, to be a brilliant strategist.

Whereas once he was one of Batman's greatest foes in the long list of rogues, the Riddler is now one of Gotham's more successful (and legitimate) private investigators. This means that whenever Batman is working a pretty rough case, the Riddler usually wiggles himself into it. It's a wonderful plot source, as this tends to drive a wedge into Batman's own detecting process. Is this a permanent change? Hard to say. However, it has been going on for quite some time and the only signs we have of the Riddler's return to villainy are minor.

It looks like he's in it for the long haul. But we have to ask ourselves the following question: how exactly does the Riddler stay successful?

We need a little bit of background first.

You see, Gotham City law enforcement is organized in a strange way. We actually went over this a little bit in our post on signalling and Batman's crime-fighting strategy, and also here in our post on the effect of superheroes on local law enforcement. Basically, we have a city that is a breeding ground for crime. And not ordinary crime. We're talking about a supervillain haven. Gotham City is polluted not only with ordinary muggers, burglars, robbers, murderers, rapists, mobsters, drug dealers, and thieves, but also with the nutjobs you've come to know and love.

This is why we have law enforcement. Unfortunately, the Gotham City Police Department (GCPD) is simply ill-equipped to deal with all of these problems. They could barely handle the widespread criminal activity and systemic corruption before the appearance of any supervillains. Now they are completely overwhelmed and this is all coupled with the fact that the Gotham City budget keeps shorting the department. Less equipment. Less manpower.

This means that the GCPD has to prioritize. Obviously, catching The Joker before he sets off a bomb in Gotham Square is more important than patrolling the narrows to prevent ordinary muggings or drug deals. Yet, even with all police resources focused on supervillain threats, we still don't see results. The crime rate stays up, supervillains are still on the loose, and people are murdered every day.

The police are, simply put, not intelligent enough or equipped enough to handle destruction on such a grand scale.

Batman, of course, has the brains and resources to handle these supergeniuses. After all, he is one himself. And he is almost always the one who rounds up these villains and brings them back to Arkham. The police force--especially Commisioner James Gordon--can help, but it strikes me that this help is usually no more than offering minor clues.

If we were to adhere to the principles of comparative advantage here, then it would be clear that the GCPD should then let Batman handle the supervillains by himself (or with his cohort of Bat-friends), while the force exclusively focus on smaller crimes. However, this does not happen. In fact, the police keep going after the big guys alongside Batman. Inevitably, they get frustrated when he steps in on their game. It makes them look like they are incapable of performing their jobs and so department funding gets pulled all the more.

All of this is explored in Greg Rucka and Ed Brubaker's wonderful Gotham Central.

Indeed, this is a strange system. One would think if the police department was being constantly overshadowed by Batman and overlooked by city hall, then this would provide more of an incentive to make low-level, easy arrests and build up stats. At the same time, the police department cannot officially support a vigilante doing its high-end work and I suppose it cannot project the appearance that it is weak on supervillainy either.

Where does the Riddler fit in? Well, apparently his success lies in the fact that he mostly takes on smaller cases. The same ones that are beneath Batman's pay grade and the same ones that the police ignore as they attempt to reign in Mr. Freeze.

It's actually a pretty brilliant strategy. It allows the Riddler to simultaneously earn a "fat check" while establishing his reputation in the community as a legitimate problem-solver. Of course, he doesn't want to be stuck with the reputation of being a guy who takes on easy cases. So every so often, he throws in a hard one, wherein he steps on Batman's own detection process. In effect, the Riddler is edging out the GCPD from law enforcement completely (although he claims that his strategy helps him establish credibility--I just don't see it).

Good for the cops? Absolutely not. Good for society? Who knows. Good for the Riddler? Absolutely.

Tuesday, April 27, 2010

Externalities: Week of 4/26/10

Superheroes fight crime and save lives. But by doing so they impose certain costs on people not directly involved. These are superhero externalities.

Rather than
do a separate "externalities" post for each disaster, I thought I might try sharing all of the best ones from the week in a single post.

Here we go:

Uncanny X-Men #523 by Matt Fraction and Terry Dodson, Marvel Comics (2010)

Cable and Hope are on the run from Bastion, a "super-sentinel from the future hellbent on exterminating all mutants." Bastion's goons have tracked the pair of heroes to a little motel and have begun to surround the joint.

The only way out? Heavy destruction of city and personal property, of course.

Wolverine: Weapon X #12 by Jason Aaron and Ron Garney, Marvel Comics (2010)

Hate waiting for the subway? Bet you would hate it even more if the A train was regularly delayed by underground superhuman battles.

Here we have Captain America attempting to escape an army of Deathloks, powerful Terminator-like cyborgs sent back in time from the future to eliminate the superheroes that would one day pose a threat to their reign. The chase leads Cap down into a subway station, where a group of innocent bystanders are trying to get home from work.

Oops.

Ultimate Avengers #6 by Mark Millar and Carlos Pacheco, Marvel Comics (2010)

Ultimate Captain America is not faring much better. Currently, he is using his ship to teleport around the world in search of the evil Red Skull. Too bad his flight skills are getting in the way.

This is, of course, a Mark Millar comic, so there is no shortage of pointless destruction. What's particularly fascinating here is how little Captain America seems to care about this blatant destruction and potential harm of others individuals.

Anything to get the job done, I suppose.

Amazing Spider-Man #628 by Roger Stern and Lee Weeks, Marvel Comics (2010)
Click to See More

Ah, a classic maneuver. During an airborne chase/battle, Spider-Man and Captain Universe crash through the window of a health club, damaging not only the window, but some expensive equipment. And they're not even members!

Interestingly enough, Spider-Man actually recognizes that innocent people might be getting hurt during the battle. Following this episode at the health club, he leads Captain Universe to an abandoned field so that the two could continue fighting, while only imposing minimal damage to third parties. It's nice to see that Spider-Man has a sense about these things, as opposed to, say, Ultimate Captain America.

Buffy the Vampire Slayer Season 8 #34 by Brad Meltzer and Georges Jeanty,
Dark Horse Comics (2010)
Click to See More: WARNING: SLAYER/VAMPIRE LOVE-MAKING

I saved the best for last. If you're a Buffy fanatic and have not yet heard the identity of Twilight, then you should turn away from this post immediately because here comes the MASSIVE SPOILER. I'm serious.

OK, it's Angel. Buffy and Angel have been reunited at last. The first thing they do, obviously, is have some sex. Sounds innocent enough. Hell, they've done it before and the only result was an evil Angel.

Here's the problem. Buffy has recently been granted extra superhuman powers, which she was able to harness from recently fallen slayers. Meanwhile, Angel is, um, pretty powerful too. Apparently, when two especially powerful beings like Buffy and Angel get it on, the universe reacts. And not in a good way.

Remember the infamous love scene between Superman and Wonder Woman in Frank Miller's The Dark Knight Strikes Again? This is even worse. To balance out the enormous surge of power, the universe has to kill off a bunch of life or energy or something. Honestly, I'm not exactly clear yet what's going on. But Giles was not subtle in saying that Buffy's happiness is uncontroversially bad for the world. Tidal waves. Volcanic eruptions. The works.

That's right. Buffy and Angel want to be happy. The only cost is on the rest of the world. I'd say that's a pretty big externality.

Friday, April 23, 2010

Ecocomics Week in Review 4/23/10

Part of our job at Ecocomics is to inform readers of the latest ecocomics news stories. With that in mind, we present to you, straight from the editor's desk of THE DAILY BOGGLE, the WEEK IN REVIEW, a summary of the week's most important events.

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